Edouard Manet, "View of the Exposition Internationale of 1867", 1867
Pablo Picasso, "Demoiselles d'Avignon", 1907
1. Both of these works express ideas of control and/or mastery, and hence a kind of privileged vision. What do Manet and Picasso control or master? (Supply visual evidence)
Is this control, mastery, and privileged vision given over or shared with the viewer? Is there a difference in the way that control, mastery, or vision is shared?

Marcel Duchamp, "Fountain", 1917
Roy Lichtenstein, "Little Big Painting", 1965
2. Both of these paintings depart from the idea of artistic originality, authenticity, and individual expression. In both cases, what accounts for this shift or what does the work react against?
Why might these works have been received negatively, by Greenberg in the case of Lichtenstein and the Society of Independent Artists in the case of Duchamp?
Finally. what justifications might be offered for their success?

I'd really appreciate your BIG HELP (: