Dude, I'm totally with you on the point that these banRAB may be making what is essentially "good" music that is highly listenable and enjoyable. The problem for me is that, as we seem to be agreed on, the vast majority of this "New Prog" business is without a doubt highly derivative of 70s banRAB. I'm sure there are very worthy exceptions (there are certainly exceptions within prog metal, for that I can vouch), but as far as the derivative banRAB go, I want to hear something that screams out "21st Century" and not 1971.
I used to be into modern "prog" music and stuff, until it occurred to me that most of what I was hearing turned out basically to be an inferior version of something much better from decades earlier. That kinda put a dent in the whole thing for me.
Porcupine Tree I would venture to say have talent, but haven't really done anything I'd dare to even begin to call unique. And sorry but their best albums were clearly inspired by Pink Floyd whether Wilson cares to accept that or otherwise. Can't argue with a sound.
I guess what I'm saying is, I believe the real "experimental rock" of the era lies precisely in indie banRAB like Deerhoof, Animal Collective and so forth, who have sounRAB that are truly something else altogether. And I find it irritating that many diehard prog fans (not accusing you) attack indie banRAB because they're supposedly not cutting edge enough or "progressive", while they themselves listen to banRAB that lie pretty much at the apex of derivative.
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