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  1. #161
    Easy Fighter's Avatar
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    100 Greatest Bass Players in Rock/Pop

    When I started playing bass, rush, led zepplin, RHCP's were all banRAB I loved to play. The best songs I loved playing was from jeff ament of pearl jam. that first album, he played 8 string basses, fretless basses and 12 string bass (jeremy). I'm sure he wasn't the first to do this but it was a great mix.

  2. #162
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    100 Greatest Bass Players in Rock/Pop

    What!?!?! No this guy? No that Guy? WTF!?!?!? *elitist garble* WTF?!?!?!

    P.S. Billy Sheehan's bass playing was at it's peak @25 years ago with an obscure little metal band called Talas.

  3. #163
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    100 Greatest Bass Players in Rock/Pop

    Anti British?

    I have Andy Rourke and Peter Hook in the top 50. :laughing:

    They were just oversights, I'll update the list shortly.

  4. #164
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    100 Greatest Bass Players in Rock/Pop

    Rock

  5. #165
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    100 Greatest Bass Players in Rock/Pop

    It doesn't have to be electric bass just as long as it's in the context of rock and pop music.

  6. #166
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    100 Greatest Bass Players in Rock/Pop

    Even Mingus?

    I think you're underestimating somebody alright.

    And what you're describing, that's what a bassist is supposed to do, and being a good bebop bassist isn't exactly something just any average musician can do.

    But creative input is also important, people knock Roger Waters because he didn't play the more technical bass parts in Floyd's later recordings, Gilmour did, but considering the iron fist Waters ruled with at that point, he most likely wrote those bass parts anyway, it's not like he couldn't play them live either.

  7. #167
    Lady's Avatar
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    100 Greatest Bass Players in Rock/Pop

    Paul who? John Paul Jones perhaps?

  8. #168
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    100 Greatest Bass Players in Rock/Pop

    I'm not trying to underestimate the the role of the pre-fusion jazz bassist in any way. As a matter of fact you're right; being able to intuitively keep up with a be-pop progression in a live improvisational setting is a challenge beyond nearly anything that I can imagine trying to do musically. I'm just saying that despite their talent, there wasn't too much distinctive about pre-electric jazz bass players. Jaco really paved the way for the bass to be a melodic instrument in its own right, and although he was never quite as melodic as Jaco, Stanley Clarke's personality shone brightly through everything he played. It was really amplification that made the difference. More than anything, it allowed the bass to cut through the mix and take a more prominent leadership role, something that was difficult to do before, with the exception of the occasional allotted bass solo. Still today there are a lot of very skilled acoustic upright bass players, but not too many who have been able to carve out their own distinctive niche with their style.

  9. #169
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    100 Greatest Bass Players in Rock/Pop

    For my favorite bassists, I'll take:

    Phil Lesh
    Roger Waters
    Mike Gordon
    Carol Kaye
    Les Claypool
    John Deacon

  10. #170
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    100 Greatest Bass Players in Rock/Pop

    John Entwistle and Chris Squire are my bet for the best bassists in rock.

 

 

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